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Articles about 29LT’s font releases, bespoke typefaces, design projects, and interviews with Pascal Zoghbi. Visit www.29LT.com to license the fonts.

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Design Space AlUla Logo & Custom Type

Pascal ZoghbiFebruary 18, 2024September 12, 202529LT

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Design Space AlUla is an innovative facility located in the AlJadidah Arts District, which serves as a hub for exhibitions, workshops, and archives. It aims to foster collaboration among design professionals, students, and enthusiasts, and also seeks to promote and preserve AlUla’s rich cultural legacy as a source of creative inspiration and design.

The logo for Design Space AlUla was designed by Pascal Zoghbi as part of a comprehensive visual identity created by Clara Sancho Studio. The logo and typeface were informed by Sancho’s photographic research in AlUla. The logo incorporates a variety of design elements from across AlUla, including ancient inscriptions at Jabal Ikmah, as well as more recent architectural features such as breeze blocks. 

The traditional crafts of Arabic geometry and calligraphy informed Zoghbi’s interpretation of the Arabic word AlUla, whose simplified motif was adjusted to form a square. This new interpretation offers scope for a playful symmetry.

Looking into the construction of the logo, the 5 Arabic letters of the word AlUla العلا were drawn in a mono-linear pen stroke fitted into a half-square triangle. The first and the last two letters mirror each other. The Alef was tilted and joined with the Lam at the ascender height, while the LamAlef ligature was drawn in a reflecting manner. The triangular Arabic letter Ain sits in between balancing the vertical and diagonal stems around it. 

The resulting symbol was then duplicated and rotated to form a full square geometric pattern, which reflects Arabesque patterns and the facade of the Design Space AlUla building itself. The logo might be also seen as a collection of several triangles built together, and this is also inspired by the triangular structural forms found in traditional Saudi houses. 

Several sketches and geometric word shapes were created before the final form was selected.

Besides the symbol, a customized version of 29LT Okaso was created for the wordmark in the logo and the visual identity as a whole.

Exhibition design by Atelier Brückner.

Afikra, Balenciaga, Balmain, Lavin, Majarra, and Tamara are among other Arabic logotypes Pascal created. Read about them in the 29LT Blog. 

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Arabic, Bi-Scriptual, Logo, Multilingual, Typography

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Published by Pascal Zoghbi

When setting up to establish 29LT digital type foundry in 2013, Lebanese designer and educator Pascal Zoghbi aspired to explore the diversity and potential of the Arabic script. Zoghbi envisioned 29LT with a cross-cultural approach. Having evolved, studied and worked in a multicultural and largely bilingual environment, he embraced multilingualism. Coming into contact with more than one language in his everyday life, he has developed an exceptional ability to think global and to reflect the various technical, conventional, and cultural writing systems into his work. Accordingly, he has excelled in creating innovative, high-quality contemporary multiscript type families, each of which is unique in its design approach and responds to regional and international market needs. Staying true to his culture, he worked on turning traditional Arabic script into contemporary type. Always on the lookout for new ideas and harmony between scripts, he explores various tools and techniques and regularly partners with a team of professional designers specialized in specific scripts to create multiscript typography. Not only is he heavily involved in the practice of Arabic type design and typography, but he has also contributed to the field as an educator. Between 2007 and 2017, he taught at various design schools in Lebanon (American University of Beirut, Lebanese American University, and Notre Dame University) and in the UAE (American University of Sharjah). Besides lecturing at universities, he takes part in a range of design events worldwide and provides trainings and workshops on Arabic typography at universities, conferences, and agencies. Zoghbi has gained an international reputation for his work and has received throughout his professional career prestigious design awards and honors, such as TDC Typographic Excellence, Granshan, AIGA, and was nominated to Jameel Prize 3. His work encompasses an outstanding collection of contemporary Arabic and multilingual typefaces. He co-authored and edited the “Arabic Graffiti” book published in 2010. Zoghbi started his academic journey at Notre Dame University in Lebanon where he grew interest in Arabic typography. He further developed his type design skills at the Royal Academy of Art (KABK), the Netherlands, where he obtained in 2006 a Master of Design in Type & Media. In 2018, he relocated to Madrid where he is currently based. Since then, his interest in a vast number of Spanish historical and cultural topics, especially those that showcase the merging of Arabic and Spanish cultures, grew keener. 29LT expanded accordingly, shifting from supporting only Arabic and Latin scripts to a global multiscript approach tapping into other world scripts. View all posts by Pascal Zoghbi

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