29LT Okaso : A Typeface Abstracted from Aljamiado Manuscripts

29LT Okaso is a vibrant geometric typeface with distinctive letterforms. The outlines of its letters challenge traditional structures while preserving legibility. It incorporates a carefully studied balance between solid forms and dynamic contours, giving it a lively feature within a corporate and serious existence. The Arabic character set is inspired by a unique set of letters found in vernacular Aljamiado manuscripts, and its accompanying Latin is drawn with alternating letterforms to echo the active nature of the Arabic script and its lively flow.

Multi-Script 29LT Fonts

29LT is progressing from a bi-script Arabic and Latin digital type industry into a multi-script fonts entity. The global market we live in and the continuous integration of different cultures is demanding the need for multi-script type systems.

First additions are the Cyrillic and Greek scripts to 29LT Zarid Sans typeface making it cover four scripts; the Arabic, Cyrillic, Greek, and Latin scripts.

29LT Zarid Stencil : A Vernacular Typeface

29LT Zarid Stencil typeface is the cut version of 29LT Zarid Sans and comes in 8 weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold and Black. It is the sixth inline family member within the 29LT Zarid superfamily ongoing development since 2016.

29LT Zarid Serif : A Bold & Vital Typeface

29LT Zarid Serif is a bold & thoughtful typeface consisting of 16 styles, 8 standard & 8 slanted. Its persona contains a robust arsenal of qualities & attitudes appropriate for countless bilingual typographic visual applications.

29LT Azer : Serious & Amicable

29LT Azer type family consists of 14 styles, 7 Standard styles, and 7 Slanted styles, covering the following weights: Thin, Extra Light, Light, Regular, Medium, Bold, and Black.

The Arabic and the Latin mirror each other’s appearances much like fraternal twins with compatible attitudes. Azer Latin is earnest and sincere; Azer Arabic is direct and austere.

29LT Riwaya : A story, within a story, within a story.

Type offers so many possibilities to give depth and atmosphere when reading a book– just like our voices would when telling stories. In designing Riwaya I set out to create a family of type suitable for comfortable continuous reading, as well as eloquent storytelling; a typeface that would not be neutral, but lend a pleasant voice to the author.

29LT Bukra : The Biggest Multilingual Arabic/Latin Type System

29LT Bukra type system currently consists of 94 styles, 47 Standard styles and 47 Slanted styles ranging from Hairline to Black in Condensed, Semi Condensed, Normal, Semi Wide and Wide.

29LT Zeyn : A Graceful Multilingual Typeface

29LT Zeyn is an elegant, contemporary Arabic and Latin typeface. Each weight contains 900-plus glyphs covering the Arabic, Persian, Urdu, and … More

29LT Makina : Multilingual Typewriter Typeface

29LT Makina is a revival of an Arabic, Persian and Latin typewriter. “Makina” in Arabic means ‘machine’, which is inspired … More

29LT Massira Type Project

29LT Massira is a simplified spontaneous handwriting set of fonts based on the casual writings of the Lebanese people and … More