This piece was created specially for “the future of tradition – the tradition of future” exhibition at hausderkunst in Munich. It challenges our perception of delicate islamic carpets. Following the trademark signature of Nada Debs, it combines elements of the Middle and Far East. Like tatami mats, it is composed of modular elements that combine to form a long islamic carpet. It combines old and new techniques: concrete inlaid with mother-of-pearl. It uses the Arabic script to create Haiku-like ‘concrete’ poetry, dedicating each of the 28 panels to one letter of the Arabic alphabet where all words starting with that letter are arranged to create a visual and musical rhythm.
The meaning of the carpet lies in its negation of a didactic meaning, and in Nada’s words: ‘it is what it is, it is grounded in the present moment. The font used in the design was developed in collaboration with Pascal Zoghbi as a corporate font for Nada Debs, and is presented for the first time in this design piece. It mixes the calligraphic tradition of Kanji and Arabic calligraphy in a contemporary geometric design, and in this sense is a true signature of Nada Debs.
Paragraph written by Huda AbiFares / Khatt Foundation.